In Harrislee, a suburb of Flensburg in northern Germany, Das Wahlversprechen (‘The Election Promise’) captures attention. Created by Bernd Maro and unveiled in 1994, this whimsical bronze ensemble features eight figures, most of them laughing. Their exaggerated gestures and farcical expressions critique the empty promises of election campaigns, transforming the public space into a stage of theatrical mockery.
Amidst this lively tableau, a little girl and a goat stand out, untouched by the doubt and skepticism of the guffawing adults around them. Their presence offers a poignant contrast, highlighting the trust and innocence often eroded by political disillusionment and the harsh realities of adulthood. They serve as a silent reminder of the hope beyond the cynical world of electoral promises.
Maro’s creation symbolizes the community’s critical eye and willingness to engage in dialogue, urging politicians to reconsider their commitments. This installation reminds us of the people’s power and the importance of a transparent civic spirit. Blending humor with critique, the piece suggests that sometimes the best way to address politics is to laugh first and ask questions later, fostering a more thoughtful and engaged society.
